Spring is approaching, and with it, adorably big-eyed and chubby-cheeked babies, and the baby shower invitations they rode in on.
Since my success in painting with wine (not to mention the sheer fun of My Dunk Valentine), I've been branching out from the consumable and experimenting more with actual paint-based watercolours. I have also been spending more time taking on digital print orders, which have been a lot of fun (InDesign and Google Analytics will have to battle it out for my heart). Put them together and what do you get? Bibbidi-bobbidi-beautiful digital watercolour flat cards. Now all I need are jolly blue robes to wear so I don't look silly while I saunter around the "shop". . .
To get that image out of your head, take a gander at the finished products, below!
Little Mr.
Watercolour base pages: The sky may have been done with paint, but old habits die hard, and I couldn't get enough of the naturally antiquated colour of tea, so I went pinkies up for the banner. The next step was to scan these pages in and pull them together digitally. Then, I could set the type to follow the curve of the banner, and by inserting negative space, I used the lack of colour to bring out the textured paper and make clouds (see below).
Next came the army of hand-cut, antiquated paper planes: For consistency, I got the image the way I wanted it, mirrored it (so that the printed line would be on the back of the paper and still face the direction I needed), and then printed a sheet of them onto red card stock. I also did myself a favour and bought a new pack of blades, and replaced them each time the very tip broke off--which, for the record, happened about every seven planes. Using a clean edge really made all the difference in the quality of the cut, and the quality of my sanity by the end of it.
I brought it all together by attaching the little prop plane to the invitation with a mounting square, so that it would be raised up from the paper, and sewed a link of embroidery thread (also in the running as my one-true-love. . . now that I think about it, my heart seems to be a little slutty) between the end of the banner and the plane, to give it some texture and an movement. Lastly, I whipped up some custom return address labels, featuring "A Special Delivery From" in the official USPS font, and the same little red plane to tie the envelope and the invitation together. As a bonus, I threw in some vintage air mail stickers that I pulled together from some images online.
One of my favourite parts of finishing a custom order is being able to wrap each bundle up with a personalized band, featuring the names of the recipients. For these announcements I decided to showcase the first names of the parents-to-be on either side of their baby-to-be's.
Little Miss
Watercolour base pages: Painting an elephant becomes all the more difficult when you first have to teach yourself how to draw one, but I was really pleased with how the little stuffed-animal-esque illustration came out. Then, just like before, I scanned the pages in and pulled them together digitally.
For something a little extra, and to make use of the freedom that digital allowed me, I curved the text to fit the curve of the balloon.
And once again, before no time at all, the invitations were printed, cut, and I'd reached my favourite part, and this time with the baby-to-be's full name.